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	<title>SMEA</title>
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	<link>https://smea.ispc.cnr.it</link>
	<description>Studi Micenei ed Egeo Anatolici</description>
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		<title>SMEA Nuova Serie 10, 2024</title>
		<link>https://smea.ispc.cnr.it/?p=3741</link>
		<comments>https://smea.ispc.cnr.it/?p=3741#comments</comments>
		<pubDate>Tue, 26 Aug 2025 13:23:48 +0000</pubDate>
		<dc:creator><![CDATA[Salvatore Fiorino]]></dc:creator>
				<category><![CDATA[Journal]]></category>

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			<div id="mk-tabs-6a0904eeed9f8" class="mk-shortcode mk-tabs default-style  horizental-style  "><ul class="mk-tabs-tabs"><li class="tab-with-icon"><a href="#1426266443-1-32c881-7da93b8b-7b1c"><i class="mk-moon-file-9"></i>Articles</a></li><li class="tab-with-icon"><a href="#1426266443-2-3c881-7da93b8b-7b1c"><i class="mk-moon-stack-3"></i>Table of contents</a></li><div class="clearboth"></div></ul><div class="mk-tabs-panes">
			
			<div id="1426266443-1-32c881-7da93b8b-7b1c" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1425305360-54f46f10c6fe4" id="mk-portfolio-loop-6a0904eef237c" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="3746" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image alain-blanc"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="MYCENIEN PA-WE-A PE-NE-WE-TA /PHARWEHA PHERNEWWENTA/ : DES TEXTILES AVEC DES PIECES RAPPORTEES" title="MYCENIEN PA-WE-A PE-NE-WE-TA /PHARWEHA PHERNEWWENTA/ : DES TEXTILES AVEC DES PIECES RAPPORTEES" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Blanc_Fig.1-ratu9o8n69xls0fwau5xtq3z52wpnvcttk1ud94t88.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3746"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="MYCENIEN PA-WE-A PE-NE-WE-TA /PHARWEHA PHERNEWWENTA/ : DES TEXTILES AVEC DES PIECES RAPPORTEES" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Blanc_Fig.1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3746">MYCENIEN PA-WE-A PE-NE-WE-TA /PHARWEHA PHERNEWWENTA/ : DES TEXTILES AVEC DES PIECES RAPPORTEES</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=alain-blanc">Alain Blanc</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3753" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image christopher-h-roosevelt jan-bobik peter-pavuk tunc-kaner"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="DRINKING WITH ANIMALS: INVESTIGATING ZOOMORPHIC DECORATIONS ON SECOND-MILLENNIUM BCE WESTERN ANATOLIAN POTTERY" title="DRINKING WITH ANIMALS: INVESTIGATING ZOOMORPHIC DECORATIONS ON SECOND-MILLENNIUM BCE WESTERN ANATOLIAN POTTERY" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Bobik_et_al_Fig.-3-ratutho59j28k1nlkwjrw82u0j8ay513jn7dm9r01k.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3753"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="DRINKING WITH ANIMALS: INVESTIGATING ZOOMORPHIC DECORATIONS ON SECOND-MILLENNIUM BCE WESTERN ANATOLIAN POTTERY" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Bobik_et_al_Fig.-3.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3753">DRINKING WITH ANIMALS: INVESTIGATING ZOOMORPHIC DECORATIONS ON SECOND-MILLENNIUM BCE WESTERN ANATOLIAN POTTERY</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=christopher-h-roosevelt">CHRISTOPHER H. ROOSEVELT</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=jan-bobik">JÁN BOBIK</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=peter-pavuk">PETER PAVÚK</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=tunc-kaner">TUNÇ KANER</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3767" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image carlo-consani"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="SOME THOUGHTS ON THE GENESIS OF LINEAR B" title="SOME THOUGHTS ON THE GENESIS OF LINEAR B" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Consani_Fig.1-raty9xiy1xetlkwcxozoztlp6xvnzl1tbkfiv18oag.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3767"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="SOME THOUGHTS ON THE GENESIS OF LINEAR B" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Consani_Fig.1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3767">SOME THOUGHTS ON THE GENESIS OF LINEAR B</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=carlo-consani">Carlo Consani</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3772" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image maurizio-del-freo"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE GREEK TERM ΚΤΟIΝΑ BETWEEN THE SECOND AND THE FIRST MILLENNIUM BC" title="THE GREEK TERM ΚΤΟIΝΑ BETWEEN THE SECOND AND THE FIRST MILLENNIUM BC" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Del-Freo_Fig.1-ratyn2brjle1tftl8vd1c0ajzr5ajc6sskkr97rnco.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3772"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE GREEK TERM ΚΤΟIΝΑ BETWEEN THE SECOND AND THE FIRST MILLENNIUM BC" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Del-Freo_Fig.1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3772">THE GREEK TERM ΚΤΟIΝΑ BETWEEN THE SECOND AND THE FIRST MILLENNIUM BC</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=maurizio-del-freo">Maurizio Del Freo</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3777" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image luca-girella"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE CERAMIC DEPOSITS AT ANEMOSPILIA (ARCHANES): A CENTRAL CRETAN PERSPECTIVE" title="THE CERAMIC DEPOSITS AT ANEMOSPILIA (ARCHANES): A CENTRAL CRETAN PERSPECTIVE" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Girella_Fig.-07-colori-ravt7fz3a1up0iy42pw45ag4nvp6fpnbljot8yms54.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3777"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE CERAMIC DEPOSITS AT ANEMOSPILIA (ARCHANES): A CENTRAL CRETAN PERSPECTIVE" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Girella_Fig.-07-colori.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3777">THE CERAMIC DEPOSITS AT ANEMOSPILIA (ARCHANES): A CENTRAL CRETAN PERSPECTIVE</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=luca-girella">Luca Girella</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3787" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image john-t-killen"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THREE KNOSSOS LIVESTOCK RECORDS (C(4) 911, C(4) 912 AND C(4) 917)" title="THREE KNOSSOS LIVESTOCK RECORDS (C(4) 911, C(4) 912 AND C(4) 917)" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Killen_01_Fig.01-ravtjmxpxojlmf8hvhmvzpoe2tllad1yxwckd6jxfc.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3787"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THREE KNOSSOS LIVESTOCK RECORDS (C(4) 911, C(4) 912 AND C(4) 917)" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Killen_01_Fig.01.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3787">THREE KNOSSOS LIVESTOCK RECORDS (C(4) 911, C(4) 912 AND C(4) 917)</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=john-t-killen">John T. Killen</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3792" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image john-t-killen"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="SOME FURTHER THOUGHTS ON KU-NE AND QO-WE (MY Fu 711)" title="SOME FURTHER THOUGHTS ON KU-NE AND QO-WE (MY Fu 711)" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Killen_02_Fig.01-ravttz5t42p5c07thyj5f3qxbemxyi3od2ouer80zc.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3792"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="SOME FURTHER THOUGHTS ON KU-NE AND QO-WE (MY Fu 711)" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Killen_02_Fig.01.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3792">SOME FURTHER THOUGHTS ON KU-NE AND QO-WE (MY Fu 711)</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=john-t-killen">John T. Killen</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3796" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image calla-mcnamee francesca-nani salvatore-vitale"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="BUILT ENVIRONMENTS, FUNERARY LANDSCAPES, AND CULTURAL TRANSITIONS ON KOS: THE “SERRAGLIO”, ELEONA, AND LANGADA DURING THE LATE BRONZE AND EARLY IRON AGES" title="BUILT ENVIRONMENTS, FUNERARY LANDSCAPES, AND CULTURAL TRANSITIONS ON KOS: THE “SERRAGLIO”, ELEONA, AND LANGADA DURING THE LATE BRONZE AND EARLY IRON AGES" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Nani_et_al_Fig.-7-colori-ravu8ipwusluyt3bkquchxmo70ye1wu6122apvnqpk.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3796"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="BUILT ENVIRONMENTS, FUNERARY LANDSCAPES, AND CULTURAL TRANSITIONS ON KOS: THE “SERRAGLIO”, ELEONA, AND LANGADA DURING THE LATE BRONZE AND EARLY IRON AGES" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Nani_et_al_Fig.-7-colori.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3796">BUILT ENVIRONMENTS, FUNERARY LANDSCAPES, AND CULTURAL TRANSITIONS ON KOS: THE “SERRAGLIO”, ELEONA, AND LANGADA DURING THE LATE BRONZE AND EARLY IRON AGES</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=calla-mcnamee">Calla McNamee</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=francesca-nani">Francesca Nani</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=salvatore-vitale">Salvatore Vitale</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3805" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image thomas-g-palaima"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="PY Vn 130 AND Un 267 EXPLICATED AS PAIRED RECORDS PERTAINING TO SCENTED OIL" title="PY Vn 130 AND Un 267 EXPLICATED AS PAIRED RECORDS PERTAINING TO SCENTED OIL" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Palaima_Fig.-1-ravurg6whoiqs3lg1fev7nnuvdni2gzkar1bnhlbeg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3805"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="PY Vn 130 AND Un 267 EXPLICATED AS PAIRED RECORDS PERTAINING TO SCENTED OIL" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Palaima_Fig.-1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3805">PY Vn 130 AND Un 267 EXPLICATED AS PAIRED RECORDS PERTAINING TO SCENTED OIL</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=thomas-g-palaima">Thomas G. Palaima</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3809" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image agnese-vacca sara-pizzimenti"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="EARLY BRONZE AGE KARKEMISH IN CONTEXT: A VIEW FROM RECENT INVESTIGATIONS ON THE ACROPOLIS MOUND" title="EARLY BRONZE AGE KARKEMISH IN CONTEXT: A VIEW FROM RECENT INVESTIGATIONS ON THE ACROPOLIS MOUND" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Pizzimenti_Vacca_Fig-1-ravv38443yn288hoa0nly6oqs5m1hyqi919b3a4rg8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3809"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="EARLY BRONZE AGE KARKEMISH IN CONTEXT: A VIEW FROM RECENT INVESTIGATIONS ON THE ACROPOLIS MOUND" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Pizzimenti_Vacca_Fig-1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3809">EARLY BRONZE AGE KARKEMISH IN CONTEXT: A VIEW FROM RECENT INVESTIGATIONS ON THE ACROPOLIS MOUND</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=agnese-vacca">Agnese Vacca</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=sara-pizzimenti">Sara Pizzimenti</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3816" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image ilse-schoep"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="A NEW LOOK AT THE LATE MINOAN I(B) ADMINISTRATIVE HORIZON" title="A NEW LOOK AT THE LATE MINOAN I(B) ADMINISTRATIVE HORIZON" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Schoep_Fig.-3-ravvfc987383vaw5j96i34mmexwcpitykzylro6394.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3816"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="A NEW LOOK AT THE LATE MINOAN I(B) ADMINISTRATIVE HORIZON" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2025/08/Schoep_Fig.-3.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3816">A NEW LOOK AT THE LATE MINOAN I(B) ADMINISTRATIVE HORIZON</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=ilse-schoep">Ilse Schoep</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


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			<div id="1426266443-2-3c881-7da93b8b-7b1c" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><strong>Editorial Note</strong><span style="float: right;">7</span><br />
Maurizio Del Freo</p>
<p><strong>Mycénien <em>pa-we-a pe-ne-we-ta </em>/<em>pharweha phernewwenta</em>/ : des textiles avec des pièces rapportées</strong><span style="float: right;">9-20</span><br />
Alain Blanc</p>
<p><strong>Drinking with Animals: Investigating Zoomorphic Decorations on Second-Millennium BCE Western Anatolian Pottery</strong><span style="float: right;">21-46</span><br />
Ján Bobik, Tunç Kaner, Peter Pavúk, Christopher H. Roosevelt</p>
<p><strong>Some Thoughts on the Genesis of Linear B</strong><span style="float: right;">47-76</span><br />
Carlo Consani</p>
<p><strong>The Greek Term κτοίνα between the Second and the First Millennium BC</strong><span style="float: right;">77-94</span><br />
Maurizio Del Freo</p>
<p><strong>The Ceramic Deposits at Anemospilia (Archanes): A Central Cretan Perspective</strong><span style="float: right;">95-116</span><br />
Luca Girella</p>
<p><strong>Three Knossos Livestock Records (C(4) 911, C(4) 912 and <em>C</em>(<em>4</em>) 917)</strong><span style="float: right;">117-124</span><br />
John T. Killen</p>
<p><strong>Some Further Thoughts on <em>ku-ne </em>and <em>qo-we </em>(MY Fu 711)</strong><span style="float: right;">125-132</span><br />
John T. Killen</p>
<p><strong>Built Environments, Funerary Landscapes, and Cultural Transitions on Kos:<br />
The “Serraglio”, Eleona, and Langada during the Late Bronze and Early Iron Ages</strong><span style="float: right;">133-154</span><br />
Francesca Nani, Salvatore Vitale, Calla McNamee</p>
<p><strong>PY Vn 130 and Un 267 Explicated as Paired Records Pertaining to Scented Oil</strong><span style="float: right;">155-160</span><br />
Thomas G. Palaima</p>
<p><strong>Early Bronze Age Karkemish in Context: A View from Recent Investigations on the Acropolis Mound</strong><span style="float: right;">161-190</span><br />
Sara Pizzimenti, Agnese Vacca</p>
<p><strong>A New Look at the Late Minoan I(B) Administrative Horizon</strong><span style="float: right;">191-225</span><br />
Ilse Schoep</p>
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		<title>SMEA NS  Supplemento 2, 2022</title>
		<link>https://smea.ispc.cnr.it/?p=3692</link>
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		<pubDate>Tue, 30 Jul 2024 13:10:55 +0000</pubDate>
		<dc:creator><![CDATA[Salvatore Fiorino]]></dc:creator>
				<category><![CDATA[Supplement]]></category>

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			<div class="mk-image-shortcode mk-shortcode   align-left simple-frame inside-image " style="max-width: 500px; margin-bottom:10px"><div class="mk-image-inner"><a href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/SMEA_Suppl2-copertina03-con-logo-copia1-e1684913349648.jpg" target="_blank" class="mk-image-shortcode-link"><img class="lightbox-false" alt="" title="" src="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/SMEA_Suppl2-copertina03-con-logo-copia1-e1684913349648.jpg" /></a></div><div class="clearboth"></div></div><div class="mk-button-align left"><a href="" target="_self"  class="mk-button outline-btn-dark button-6a0904ef19593 light outline-dimension medium pointed  "><span>Order now</span></a></div>

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			<h2 style="font-size: 25px;text-align:left;color: #393836;font-style:inhert;font-weight:inherit;margin-top:0px;margin-bottom:18px; text-transform:none;letter-spacing:0px;" id="fancy-title-6a0904ef1a020" class="mk-shortcode mk-fancy-title fancy-title-align-left simple-style "><span style="">One State, Many Worlds: Crete in the Late Minoan II-IIIA2 Early Period</span></h2><div class="clearboth"></div><h3 style="font-size: 18px;text-align:left;color: #393836;font-style:inhert;font-weight:300;margin-top:0px;margin-bottom:18px; text-transform:none;letter-spacing:0px;" id="fancy-title-6a0904ef1a226" class="mk-shortcode mk-fancy-title fancy-title-align-left simple-style "><span style="">Proceedings of the International Conference held at Khania, Megalo Arsenali, 21st &#8211; 23rd November 2019</p>
<p>&nbsp;</p>
<p>edited by <strong>Anna Lucia D&#8217;Agata</strong>, <strong>Luca Girella</strong>, <strong>Eleni Papadopoulou</strong>, <strong>Davide G. Aquini</strong></span></h3><div class="clearboth"></div><div class="vc_empty_space"  style="height: 14px" ><span class="vc_empty_space_inner"></span></div>

	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p class="p1"><i><strong>Preface<br />
</strong></i>Anna Lucia D’Agata, Luca Girella, Eleni Papadopoulou, Davide G. Aquini</p>
<p class="p1"><i><strong>Introduction<br />
</strong></i>Anna Lucia D’Agata</p>
<p class="p1"><i>1. </i><strong>Eventful Archaeology, Long-term Processes and LM II-IIIA2 Early Crete</strong><br />
Anna Lucia D’Agata, Luca Girella</p>
<p class="p1"><i>2. </i><strong>Knossos during LM II-IIIB: Dynamism and Development</strong><br />
Todd Whitelaw</p>
<p class="p1"><i>3. </i><strong>The LM II-IIIA2 Kingdom of Knossos as Reflected by its Linear B Archives</strong><br />
Jan Driessen, Ophélie Mouthuy</p>
<p class="p1"><i>4. </i><strong>Unpacking the State of Knossos in LM II-IIIA2</strong><br />
Dimitri Nakassis</p>
<p class="p1"><i>5. </i><strong>The Fateful Century: From the Destruction of Crete ca. 1450-1440 to the Destruction of Knossos ca. 1350-1340</strong><br />
Malcolm H. Wiener</p>
<p class="p1"><i>6.</i><strong>Architectural Continuity, Renovation, and Innovation in the Town and Palace of Knossos, LM IB-IIIA1</strong><br />
Colin F. Macdonald</p>
<p class="p1"><i>7.</i> <strong>The Use and Re-Use of Gold Rings in Knossos after the LM IB Destructions</strong><br />
Judith Weingarten</p>
<p class="p1"><i>8. </i><strong>Neither Minoan nor Mycenaean: The Burial Record of Knossos and the Materialisation of a New Social Order, 1600-1400</strong><br />
Yannis Galanakis</p>
<p class="p1"><i>9. </i><strong>The Port at Kommos as a Case Study for the Monopalatial Period</strong><br />
James C. Wright</p>
<p class="p1"><i>10. </i><strong>The Arrival of the Mycenaeans at Kydonia: Ancient Tradition and Archaeological Evidence</strong><br />
Maria Andreadaki-Vlazaki</p>
<p class="p1"><i>11. </i><strong>Chania in the LM II-IIIA Period</strong><br />
Birgitta P. Hallager</p>
<p class="p1"><i>12. </i><strong>LM II-IIIA1 Aptara in the Knossian Sphere of Influence</strong><br />
Eleni Papadopoulou</p>
<p class="p1"><i>13. </i><strong>The LM IIIA Workshop and Storage Complex at Galatas Pediada and Other Compounds with Long Galleries: Economic Implications for Final Palatial Crete</strong><br />
Giorgos Rethemiotakis, Kostis S. Christakis</p>
<p class="p1"><i>14. </i><strong>Cultural Transformation and Continuity in East Crete during LM II-IIIA2 Early: A Ceramic Perspective</strong><br />
Charlotte Langohr</p>
<p class="p1"><i>15. </i><strong>The Inatos Cave in LM II to LM III</strong><br />
Philip P. Betancourt, Sydney R. Sarasin, Leanna Kolonauski</p>
<p class="p1"><i>16. </i><strong>Viannos: The Post-Neopalatial Settlement</strong><br />
Lefteris Platon, Kephali Chondros</p>
<p class="p1"><i>17. </i><strong>Mycenaeans at Mochlos: A Question of Ethnicity</strong><br />
Jeffrey S. Soles</p>
<p class="p1"><i>18. </i><strong>Down and Out in East Crete: Transformation and Change at Gournia and the Isthmus of Ierapetra from LM IB to the LM IIIA2 Period</strong><br />
Matthew Buell</p>
<p class="p1"><i>19. </i><strong>About the Size, the Duration and the Nature of the Post-palatial Settlement at Zakros</strong><br />
Lefteris Platon</p>
<p class="p1"><i>20. </i><strong>Palaikastro and its Territory in LM II-IIIA2 Early</strong><br />
Carl Knappett, Tim F. Cunningham</p>
<p class="p1"><i>21. </i><strong>Late Bronze Age Monumental Architecture in Messenia: The Cases of Pylos and Iklaina</strong><br />
Michael C. Nelson</p>
<p class="p1"><i>22. </i><strong>Pottery Production and Consumption at Agios Vasileios during LH II-IIIA and the Cretan Connection</strong><br />
Peter M. Day, Vasco Hachtmann, Eleftheria Kardamaki, Adamantia Vasilogamvrou</p>
<p class="p1"><i>23. </i><strong>Many States, One World of Images? Some Thoughts on the Iconography of LM II-IIIA Crete in its Wider Aegean Context</strong><br />
Fritz Blakolmer</p>
<p class="p1"><i>24. </i><strong>The Beginnings of Linear B and Literate Administration on the Greek Mainland</strong><br />
Vassilis Petrakis</p>
<p class="p1"><i>25. </i><strong>Event, Process, Transition, Transformation: Concluding Comments and Data Regarding Crete’s Monopalatial Period</strong><br />
Michael L. Galaty, Jeremy B. Rutter</p>
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		<title>SMEA Nuova Serie 9, 2023</title>
		<link>https://smea.ispc.cnr.it/?p=3446</link>
		<comments>https://smea.ispc.cnr.it/?p=3446#comments</comments>
		<pubDate>Tue, 16 Jul 2024 13:56:42 +0000</pubDate>
		<dc:creator><![CDATA[Salvatore Fiorino]]></dc:creator>
				<category><![CDATA[Journal]]></category>

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			<div id="1720778178-1-89" class="mk-tabs-pane"><div class="title-mobile"><i class=""></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1721138356-66967cb470ba0" id="mk-portfolio-loop-6a0904ef1e745" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
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<article id="3455" class="mk-portfolio-item mk-portfolio-classic-item classic-1721138356-66967cb470ba0 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image anna-lucia-dagata maria-perri renata-perego younes-naime"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="A FEAST EVENT AT MISIS HÖYÜK: BUILDING ACTIVITY, COMMUNAL CONSUMPTION AND RITUAL PRACTICE IN THE 8TH CENTURY BC PLAIN CILICIA" title="A FEAST EVENT AT MISIS HÖYÜK: BUILDING ACTIVITY, COMMUNAL CONSUMPTION AND RITUAL PRACTICE IN THE 8TH CENTURY BC PLAIN CILICIA" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/DAgata_et_al_fig.2b-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3455"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="A FEAST EVENT AT MISIS HÖYÜK: BUILDING ACTIVITY, COMMUNAL CONSUMPTION AND RITUAL PRACTICE IN THE 8TH CENTURY BC PLAIN CILICIA" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2024/07/DAgata_et_al_fig.2b.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3455">A FEAST EVENT AT MISIS HÖYÜK: BUILDING ACTIVITY, COMMUNAL CONSUMPTION AND RITUAL PRACTICE IN THE 8TH CENTURY BC PLAIN CILICIA</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anna-lucia-dagata">Anna Lucia D’Agata</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=maria-perri">Maria Perri</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=renata-perego">Renata Perego</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=younes-naime">Younes Naime</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3469" class="mk-portfolio-item mk-portfolio-classic-item classic-1721138356-66967cb470ba0 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image anthony-bronzo brent-davis"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="DECIPHERING KOBER’S CONTRIBUTION TO THE DECIPHERMENT OF LINEAR B" title="DECIPHERING KOBER’S CONTRIBUTION TO THE DECIPHERMENT OF LINEAR B" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Davis-Bronzo_fig.13-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3469"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="DECIPHERING KOBER’S CONTRIBUTION TO THE DECIPHERMENT OF LINEAR B" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2024/07/Davis-Bronzo_fig.13.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3469">DECIPHERING KOBER’S CONTRIBUTION TO THE DECIPHERMENT OF LINEAR B</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anthony-bronzo">Anthony Bronzo</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=brent-davis">Brent Davis</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3478" class="mk-portfolio-item mk-portfolio-classic-item classic-1721138356-66967cb470ba0 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image julien-zurbach kostis-s-christakis maurizio-del-freo"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="‘MINOAN’ OR ‘MYCENAEAN’ WINE? OBSERVATIONS ON AN LM IIIA INSCRIBED PITHOS FROM KNOSSOS" title="‘MINOAN’ OR ‘MYCENAEAN’ WINE? OBSERVATIONS ON AN LM IIIA INSCRIBED PITHOS FROM KNOSSOS" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/DelFreo-Zurbach_fig.3-qrosmyme98jjfkpcxi3ofukckvlwt8hpciapgt5lo8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3478"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="‘MINOAN’ OR ‘MYCENAEAN’ WINE? OBSERVATIONS ON AN LM IIIA INSCRIBED PITHOS FROM KNOSSOS" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2024/07/DelFreo-Zurbach_fig.3.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3478">‘MINOAN’ OR ‘MYCENAEAN’ WINE? OBSERVATIONS ON AN LM IIIA INSCRIBED PITHOS FROM KNOSSOS</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=julien-zurbach">Julien Zurbach</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=kostis-s-christakis">Kostis S. Christakis</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=maurizio-del-freo">Maurizio Del Freo</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3498" class="mk-portfolio-item mk-portfolio-classic-item classic-1721138356-66967cb470ba0 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image john-t-killen"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="A POT-BOILER AT PYLOS?" title="A POT-BOILER AT PYLOS?" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Killen_Fig.1-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3498"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="A POT-BOILER AT PYLOS?" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2024/07/Killen_Fig.1.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3498">A POT-BOILER AT PYLOS?</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=john-t-killen">John T. Killen</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3501" class="mk-portfolio-item mk-portfolio-classic-item classic-1721138356-66967cb470ba0 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image vassilis-petrakis"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="‘HEADS’ OF THRONES: ONCE MORE ON MYCENAEAN se-re-mo-ka-ra-a-pi AND se-re-mo-ka-ra-o-re" title="‘HEADS’ OF THRONES: ONCE MORE ON MYCENAEAN se-re-mo-ka-ra-a-pi AND se-re-mo-ka-ra-o-re" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Petrakis_fig.2-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3501"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="‘HEADS’ OF THRONES: ONCE MORE ON MYCENAEAN se-re-mo-ka-ra-a-pi AND se-re-mo-ka-ra-o-re" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2024/07/Petrakis_fig.2.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3501">‘HEADS’ OF THRONES: ONCE MORE ON MYCENAEAN se-re-mo-ka-ra-a-pi AND se-re-mo-ka-ra-o-re</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=vassilis-petrakis">Vassilis Petrakis</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

<a class="mk-loadmore-button page-nav-style-btn" style="display:none;" href="#"><i class="mk-moon-loop-4"></i><i class="mk-moon-arrow-down-4"></i>Load More</a><div class="mk-preloader"></div></div></div><div id="ajax-6a0904ef1e745" class="mk-dynamic-styles"> .sortable-id-6a0904ef1e745.sortable-outline-style { background-color:#1a1a1a; } .sortable-id-6a0904ef1e745.sortable-outline-style a { color:#cccccc; } .sortable-id-6a0904ef1e745.sortable-outline-style a.current { border-color:#cccccc !important; }</div>
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			<div id="1720778178-2-16" class="mk-tabs-pane"><div class="title-mobile"><i class=""></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><strong>Editorial note</strong><span style="float: right;">7</span><br />
Anna Lucia D’Agata</p>
<p><strong>From Marking to Writing? A Picrolite Inscribed Plaque from Erimi in Cyprus</strong><span style="float: right;">9-30</span><br />
Luca Bombardieri, Yiannis Violaris, Demetrios A. Iosephides, Dante Abate, Thilo Rehren, Massimo Perna</p>
<p><strong>A Feast Event at Misis Höyük: Building Activity, Communal Consumption and Ritual Practice in 8th Century BC Plain Cilicia</strong> <span style="float: right;">31-82</span><br />
Anna Lucia D’Agata, Younes Naime, Renata Perego, Maria Perri</p>
<p><strong>Deciphering Kober’s Contribution to the Decipherment of Linear B</strong><span style="float: right;">83-98</span><br />
Brent Davis, Anthony Bronzo</p>
<p><strong>‘Minoan’ or ‘Mycenaean’ Wine? Observations on an LM IIIA Inscribed Pithos from Knossos</strong><span style="float: right;">99-106</span><br />
Maurizio Del Freo, Julien Zurbach, with a note by Kostas S. Christakis</p>
<p><strong>A Pot-boiler at Pylos?</strong><span style="float: right;">107-114</span><br />
John Killen</p>
<p><strong>‘Heads’ of Thrones: Once More on Mycenaean <em>se-re-mo-ka-ra-a-pi</em> and <em>se-re-mo-ka-ra-o-re</em></strong><span style="float: right;">115-136</span><br />
Vassilis Petrakis</p>
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			<wfw:commentRss>https://smea.ispc.cnr.it/?feed=rss2&#038;p=3446</wfw:commentRss>
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		<title>SMEA Nuova Serie 8, 2022</title>
		<link>https://smea.ispc.cnr.it/?p=3236</link>
		<comments>https://smea.ispc.cnr.it/?p=3236#comments</comments>
		<pubDate>Thu, 04 May 2023 08:24:38 +0000</pubDate>
		<dc:creator><![CDATA[Anna Lucia D'Agata]]></dc:creator>
				<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=3236</guid>
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			<div id="mk-tabs-6a0904ef354da" class="mk-shortcode mk-tabs default-style  horizental-style  "><ul class="mk-tabs-tabs"><li class="tab-with-icon"><a href="#1683189402657-2-9"><i class="mk-moon-stack-3"></i>Articles</a></li><li><a href="#1683189439822-2-5">Table of contents</a></li><div class="clearboth"></div></ul><div class="mk-tabs-panes">
			
			<div id="1683189402657-2-9" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1683193321-64537de9bd101" id="mk-portfolio-loop-6a0904ef37673" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="3073" class="mk-portfolio-item mk-portfolio-classic-item classic-1683193321-64537de9bd101 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image jean-pierre-olivier%e2%80%a0 nota-dimopolou"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="UNE BAGUE EN OR DE POROS / HÉRACLEION AVEC INSCRIPTION EN LINÉAIRE A (PO Zf 2)" title="UNE BAGUE EN OR DE POROS / HÉRACLEION AVEC INSCRIPTION EN LINÉAIRE A (PO Zf 2)" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/04-copia-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3073"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="UNE BAGUE EN OR DE POROS / HÉRACLEION AVEC INSCRIPTION EN LINÉAIRE A (PO Zf 2)" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/04-copia.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3073">UNE BAGUE EN OR DE POROS / HÉRACLEION AVEC INSCRIPTION EN LINÉAIRE A (PO Zf 2)</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=jean-pierre-olivier%e2%80%a0">Jean-Pierre Olivier†</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=nota-dimopolou">Nota Dimopolou</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3126" class="mk-portfolio-item mk-portfolio-classic-item classic-1683193321-64537de9bd101 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image antonis-kourkoulakos"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="TRACING MOBILITY IN SOUTHEAST AEGEAN/SOUTHWEST ANATOLIA DURING THE LATE BRONZE AGE" title="TRACING MOBILITY IN SOUTHEAST AEGEAN/SOUTHWEST ANATOLIA DURING THE LATE BRONZE AGE" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Fig.-1-copia-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3126"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="TRACING MOBILITY IN SOUTHEAST AEGEAN/SOUTHWEST ANATOLIA DURING THE LATE BRONZE AGE" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/Fig.-1-copia.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3126">TRACING MOBILITY IN SOUTHEAST AEGEAN/SOUTHWEST ANATOLIA DURING THE LATE BRONZE AGE</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=antonis-kourkoulakos">Antonis Kourkoulakos</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3102" class="mk-portfolio-item mk-portfolio-classic-item classic-1683193321-64537de9bd101 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image cassandra-m-donnelly martina-polig"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="BETWEEN FRUSTRATION AND PROGRESS: AN INTEGRATED CYPRO-MINOAN SIGNARY AND ITS PALEOGRAPHIC DIVERSITY" title="BETWEEN FRUSTRATION AND PROGRESS: AN INTEGRATED CYPRO-MINOAN SIGNARY AND ITS PALEOGRAPHIC DIVERSITY" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Fig.7-copia-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3102"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="BETWEEN FRUSTRATION AND PROGRESS: AN INTEGRATED CYPRO-MINOAN SIGNARY AND ITS PALEOGRAPHIC DIVERSITY" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/Fig.7-copia.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3102">BETWEEN FRUSTRATION AND PROGRESS: AN INTEGRATED CYPRO-MINOAN SIGNARY AND ITS PALEOGRAPHIC DIVERSITY</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=cassandra-m-donnelly">Cassandra M. Donnelly</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=martina-polig">Martina Polig</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3141" class="mk-portfolio-item mk-portfolio-classic-item classic-1683193321-64537de9bd101 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image ioanna-venieri"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="STORAGE AND COOKING WARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" title="STORAGE AND COOKING WARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Fig.8a-Pithoi-from-room-6-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3141"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="STORAGE AND COOKING WARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/Fig.8a-Pithoi-from-room-6.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3141">STORAGE AND COOKING WARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=ioanna-venieri">Ioanna Venieri</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="3188" class="mk-portfolio-item mk-portfolio-classic-item classic-1683193321-64537de9bd101 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image anna-lucia-dagata ewen-bowie thomas-g-palaima trevor-bryce"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="1922-2022: ONE HUNDRED YEARS AFTER MICHAEL VENTRIS’S BIRTH: A LETTER FROM SINCLAIR HOOD TO TREVOR BRYCE ON THE DECIPHERMENT OF LINEAR B" title="1922-2022: ONE HUNDRED YEARS AFTER MICHAEL VENTRIS’S BIRTH: A LETTER FROM SINCLAIR HOOD TO TREVOR BRYCE ON THE DECIPHERMENT OF LINEAR B" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Letter11-qrosmzk8g2ktr6nzs0ib0cbt69ha0xlfomy6y347i0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3188"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="1922-2022: ONE HUNDRED YEARS AFTER MICHAEL VENTRIS’S BIRTH: A LETTER FROM SINCLAIR HOOD TO TREVOR BRYCE ON THE DECIPHERMENT OF LINEAR B" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2023/05/Letter11.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=3188">1922-2022: ONE HUNDRED YEARS AFTER MICHAEL VENTRIS’S BIRTH: A LETTER FROM SINCLAIR HOOD TO TREVOR BRYCE ON THE DECIPHERMENT OF LINEAR B</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anna-lucia-dagata">Anna Lucia D’Agata</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=ewen-bowie">Ewen Bowie</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=thomas-g-palaima">Thomas G. Palaima</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=trevor-bryce">Trevor Bryce</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

<a class="mk-loadmore-button page-nav-style-btn" style="display:none;" href="#"><i class="mk-moon-loop-4"></i><i class="mk-moon-arrow-down-4"></i>Load More</a><div class="mk-preloader"></div></div></div><div id="ajax-6a0904ef37673" class="mk-dynamic-styles"> .sortable-id-6a0904ef37673.sortable-outline-style { background-color:#1a1a1a; } .sortable-id-6a0904ef37673.sortable-outline-style a { color:#cccccc; } .sortable-id-6a0904ef37673.sortable-outline-style a.current { border-color:#cccccc !important; }</div>
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			<div id="1683189439822-2-5" class="mk-tabs-pane"><div class="title-mobile"><i class=""></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><strong>Une bague en or de Poros / Héracleion avec inscription en Linéaire A (PO Zf 2)</strong><span style="float: right;">7-16</span><br />
Nota Dimopoulou, Jean-Pierre Olivier†</p>
<p><strong>Tracing Mobility in Southeast Aegean/Southwest Anatolia during the Late Bronze Age </strong><span style="float: right;">17-40</span><br />
Antonis Kourkoulakos</p>
<p><strong>Between Frustration and Progress: An Integrated Cypro-Minoan Signary and Its Paleographic Diversity </strong><span style="float: right;">41-62</span><br />
Martina Polig, Cassandra M. Donnelly</p>
<p><strong>Storage and Cooking Ware from the Middle Minoan </strong><strong>Settlement at Apodoulou, Crete: A Typological Assessment</strong><span style="float: right;">63-104</span><br />
Ioanna Venieri</p>
<p><strong>1922-2022: ONE HUNDRED YEARS AFTER MICHAEL VENTRIS’S BIRTH: A LETTER FROM SINCLAIR HOOD TO TREVOR BRYCE ON THE DECIPHERMENT OF LINEAR B</strong></p>
<p><strong>Preface</strong><span style="float: right;">105-106</span><br />
Anna Lucia D&#8217;Agata</p>
<p><strong>An Introduction</strong><span style="float: right;">107-110</span><br />
Trevor Bryce</p>
<p><strong>The Letter from Sinclair Hood to Trevor Bryce of 30th May 2012 and Skepticism about the Validity of the Ventris Decipherment of Linear B First Announced 18th June 1952</strong><span style="float: right;">111-138</span><br />
Thomas G. Palaima</p>
<p><strong>Was there a Rejection of Ventris’ Decipherment in 1950s and 1960s Oxford?</strong><span style="float: right;">139-140</span><br />
Ewen Bowie</p>
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		<title>SMEA Nuova Serie 7, 2021</title>
		<link>https://smea.ispc.cnr.it/?p=2809</link>
		<comments>https://smea.ispc.cnr.it/?p=2809#comments</comments>
		<pubDate>Fri, 01 Apr 2022 18:51:39 +0000</pubDate>
		<dc:creator><![CDATA[Anna Lucia D'Agata]]></dc:creator>
				<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=2809</guid>
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			<div id="mk-tabs-6a0904ef4933b" class="mk-shortcode mk-tabs default-style  horizental-style  "><ul class="mk-tabs-tabs"><li class="tab-with-icon"><a href="#1648811988-1-35"><i class="mk-moon-file-9"></i>Articles</a></li><li class="tab-with-icon"><a href="#1648811988-2-97"><i class="mk-moon-stack-3"></i>Table of contents</a></li><div class="clearboth"></div></ul><div class="mk-tabs-panes">
			
			<div id="1648811988-1-35" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1648812670-6246e27e022e2" id="mk-portfolio-loop-6a0904ef4b589" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="2813" class="mk-portfolio-item mk-portfolio-classic-item classic-1648812670-6246e27e022e2 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image marco-bettelli-sara-tiziana-levi-andrea-di-renzoni-maria-clara-martinelli-valentina-cannavo"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="CAPO GRAZIANO DECORATIVE MOTIFS AND MILAZZESE POTTERY MARKS: A PHENOMENON OF CULTURAL MEMORY?" title="CAPO GRAZIANO DECORATIVE MOTIFS AND MILAZZESE POTTERY MARKS: A PHENOMENON OF CULTURAL MEMORY?" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA_ctrss_fig_3-qrosm8awxvjiehrl76q4i17fy37mtpl7ww14128mig.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2813"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="CAPO GRAZIANO DECORATIVE MOTIFS AND MILAZZESE POTTERY MARKS: A PHENOMENON OF CULTURAL MEMORY?" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2022/03/SMEA_ctrss_fig_3.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2813">CAPO GRAZIANO DECORATIVE MOTIFS AND MILAZZESE POTTERY MARKS: A PHENOMENON OF CULTURAL MEMORY?</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=marco-bettelli-sara-tiziana-levi-andrea-di-renzoni-maria-clara-martinelli-valentina-cannavo">Marco Bettelli, Sara Tiziana Levi, Andrea Di Renzoni, Maria Clara Martinelli, Valentina Cannavò</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2887" class="mk-portfolio-item mk-portfolio-classic-item classic-1648812670-6246e27e022e2 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image nicholas-g-blackwell thomas-g-palaima"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="FURTHER DISCUSSION OF pa-sa-ro ON PYLOS TA 716: INSIGHT FROM THE AGIA TRIADA SARCOPHAGUS" title="FURTHER DISCUSSION OF pa-sa-ro ON PYLOS TA 716: INSIGHT FROM THE AGIA TRIADA SARCOPHAGUS" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Figure-3_Ayia-Triada-sarcophagus-qrosm98r4pksq3q81p4r2iywjh301eoy90olic78c8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2887"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="FURTHER DISCUSSION OF pa-sa-ro ON PYLOS TA 716: INSIGHT FROM THE AGIA TRIADA SARCOPHAGUS" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2022/03/Figure-3_Ayia-Triada-sarcophagus.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2887">FURTHER DISCUSSION OF pa-sa-ro ON PYLOS TA 716: INSIGHT FROM THE AGIA TRIADA SARCOPHAGUS</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=nicholas-g-blackwell">Nicholas G. Blackwell</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=thomas-g-palaima">Thomas G. Palaima</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2935" class="mk-portfolio-item mk-portfolio-classic-item classic-1648812670-6246e27e022e2 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image laetitia-phialon"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="CRAFTSPEOPLE, HUNTERS OR WARLIKE ELITES? A REASSESSMENT OF BURIALS FURNISHED WITH TOOLS IN MYCENAEAn Greece from the Shaft Grave to the Post-Palatial Period" title="CRAFTSPEOPLE, HUNTERS OR WARLIKE ELITES? A REASSESSMENT OF BURIALS FURNISHED WITH TOOLS IN MYCENAEAn Greece from the Shaft Grave to the Post-Palatial Period" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Fig9-qrosm98r4pksq3q81p4r2iywjh301eoy90olic78c8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2935"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="CRAFTSPEOPLE, HUNTERS OR WARLIKE ELITES? A REASSESSMENT OF BURIALS FURNISHED WITH TOOLS IN MYCENAEAn Greece from the Shaft Grave to the Post-Palatial Period" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2022/03/Fig9.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2935">CRAFTSPEOPLE, HUNTERS OR WARLIKE ELITES? A REASSESSMENT OF BURIALS FURNISHED WITH TOOLS IN MYCENAEAn Greece from the Shaft Grave to the Post-Palatial Period</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=laetitia-phialon">Laetitia Phialon</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2958" class="mk-portfolio-item mk-portfolio-classic-item classic-1648812670-6246e27e022e2 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image donald-w-jones-with-responses-by-natalie-abell-luca-girella-and-peter-pavuk-alex-knodell-irene-nikolakopoulou-todd-whitelaw-and-a-reply-by-donald-w-jones"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="FORUM ARTICLE &#8211; THE WESTERN STRING IN THE LATE MBA AND LBA I-II: POPULATIONS AND ACCOUNT BALANCES" title="FORUM ARTICLE &#8211; THE WESTERN STRING IN THE LATE MBA AND LBA I-II: POPULATIONS AND ACCOUNT BALANCES" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Cicladi5-copia-qrosm98r4pksq3q81p4r2iywjh301eoy90olic78c8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2958"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="FORUM ARTICLE &#8211; THE WESTERN STRING IN THE LATE MBA AND LBA I-II: POPULATIONS AND ACCOUNT BALANCES" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2022/04/Cicladi5-copia.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2958">FORUM ARTICLE &#8211; THE WESTERN STRING IN THE LATE MBA AND LBA I-II: POPULATIONS AND ACCOUNT BALANCES</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=donald-w-jones-with-responses-by-natalie-abell-luca-girella-and-peter-pavuk-alex-knodell-irene-nikolakopoulou-todd-whitelaw-and-a-reply-by-donald-w-jones">Donald W. Jones, with responses by Natalie Abell, Luca Girella and Peter Pavúk, Alex Knodell, Irene Nikolakopoulou, Todd Whitelaw, and a reply by Donald W. Jones</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

<a class="mk-loadmore-button page-nav-style-btn" style="display:none;" href="#"><i class="mk-moon-loop-4"></i><i class="mk-moon-arrow-down-4"></i>Load More</a><div class="mk-preloader"></div></div></div><div id="ajax-6a0904ef4b589" class="mk-dynamic-styles"> .sortable-id-6a0904ef4b589.sortable-outline-style { background-color:#1a1a1a; } .sortable-id-6a0904ef4b589.sortable-outline-style a { color:#cccccc; } .sortable-id-6a0904ef4b589.sortable-outline-style a.current { border-color:#cccccc !important; }</div>
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			<div id="1648811988-2-97" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><div class="mk-single-content">
<p><strong>Capo Graziano Decorative Motifs and Milazzese Pottery Marks:<br />
A Phenomenon of Cultural Memory?</strong><span style="float: right;">7-20</span><br />
Marco Bettelli, Sara Tiziana Levi, Andrea Di Renzoni,<br />
Maria Clara Martinelli, Valentina Cannavò</p>
<p><strong>Further Discussion of <em>pa-sa-ro</em> on Pylos Ta 716:<br />
Insight from the Agia Triada Sarcophagus</strong><span style="float: right;">21-37</span><br />
Nicholas G. Blackwell, Thomas G. Palaima</p>
<p><strong>Craftspeople, Hunters or Warlike Elites?<br />
A Reassessment of Burials Furnished with Tools<br />
in Mycenaean Greece from the Shaft Grave<br />
to the Post-Palatial Period</strong><span style="float: right;">39-89</span><br />
Laetitia Phialon</p>
<p>FORUM ARTICLE</p>
<p><strong>The Western String in the Late MBA and LBA I-II: Populations and Account Balances</strong><span style="float: right;">91-136</span><br />
Donald W. Jones</p>
<p><strong>Responses<br />
Assessing Insular Economic Strategies: Some Responses to D.W. Jones’ Model<br />
of Middle and Late Bronze Age Cycladic Prosperity</strong>, by Natalie Abell<span style="float: right;">136-149</span></p>
<p><strong>The Western String in the Late MBA and LBA I-II: A Reaction to<br />
Donald Jones’s Article from a Wider Perspective</strong>, by Luca Girella and Peter Pavúk<span style="float: right;">149-158</span></p>
<p><strong>The Western String in Context: Local Landscapes and Aegean Networks,</strong> by Alex Knodell<span style="float: right;">158-166</span></p>
<p><strong>More than Ports of Call: Remarks on Middle and Late Bronze Age<br />
Island Economies in Response to D.W. Jones’ Model</strong>, by Irene Nikolakopoulou, <span style="float: right;">166-177</span></p>
<p><strong>A Response to Donald W. Jones, The Western String in the Late MBA<br />
and LBA I-II: Populations and Account Balances</strong>, by Todd Whitelaw <span style="float: right;">177-185</span></p>
<p><strong>A Reply</strong>, by Donald W. Jones<span style="float: right;">185-186</span></p>
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		<title>SMEA NUOVA SERIE 6, 2020</title>
		<link>https://smea.ispc.cnr.it/?p=2358</link>
		<comments>https://smea.ispc.cnr.it/?p=2358#comments</comments>
		<pubDate>Fri, 25 Sep 2020 15:28:45 +0000</pubDate>
		<dc:creator><![CDATA[Salvatore Fiorino]]></dc:creator>
				<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=2358</guid>
		<description><![CDATA[]]></description>
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			<div id="1426266443-1-32c881-7da92579-ad8b" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1425305360-54f46f10c6fe4" id="mk-portfolio-loop-6a0904ef5efef" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="2377" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image anna-lucia-dagata daniele-putorti massimo-perna valentina-cannavo-2"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="SIGNIFICANT OBJECTS AND THE BIOGRAPHICAL APPROACH:  AN INSCRIBED HANDLE FROM MISIS IN CILICIA" title="SIGNIFICANT OBJECTS AND THE BIOGRAPHICAL APPROACH:  AN INSCRIBED HANDLE FROM MISIS IN CILICIA" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/01-Significant-qrosnauaq309mi7ly5dtu9hcavxolau7q6s0penhfc.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2377"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="SIGNIFICANT OBJECTS AND THE BIOGRAPHICAL APPROACH:  AN INSCRIBED HANDLE FROM MISIS IN CILICIA" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/01-Significant.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2377">SIGNIFICANT OBJECTS AND THE BIOGRAPHICAL APPROACH:  AN INSCRIBED HANDLE FROM MISIS IN CILICIA</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anna-lucia-dagata">Anna Lucia D’Agata</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=daniele-putorti">Daniele Putortì</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=massimo-perna">Massimo Perna</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=valentina-cannavo-2">Valentina Cannavò</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2427" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image sara-marino"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE SWASTIKA MOTIF IN THE CENTRAL MEDITERRANEAN DURING THE EARLY BRONZE AGE" title="THE SWASTIKA MOTIF IN THE CENTRAL MEDITERRANEAN DURING THE EARLY BRONZE AGE" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/02-the_swastika-qrosn80s5kwenobpem5y4s6yiqbky7j0pstk9krny0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2427"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE SWASTIKA MOTIF IN THE CENTRAL MEDITERRANEAN DURING THE EARLY BRONZE AGE" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/02-the_swastika.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2427">THE SWASTIKA MOTIF IN THE CENTRAL MEDITERRANEAN DURING THE EARLY BRONZE AGE</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=sara-marino">Sara Marino</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2437" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image barbara-montecchi"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="DISTRIBUTION AND FUNCTIONS OF MINOAN INSCRIBED CLAY VESSELS AND THE CONSEQUENCES FOR THE QUESTION OF LITERACY IN THE BRONZE AGE AEGEAN" title="DISTRIBUTION AND FUNCTIONS OF MINOAN INSCRIBED CLAY VESSELS AND THE CONSEQUENCES FOR THE QUESTION OF LITERACY IN THE BRONZE AGE AEGEAN" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/03-distribution-qrosn8ymcexozaac94kkp9yf446y5wmr1xh1quq9rs.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2437"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="DISTRIBUTION AND FUNCTIONS OF MINOAN INSCRIBED CLAY VESSELS AND THE CONSEQUENCES FOR THE QUESTION OF LITERACY IN THE BRONZE AGE AEGEAN" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/03-distribution.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2437">DISTRIBUTION AND FUNCTIONS OF MINOAN INSCRIBED CLAY VESSELS AND THE CONSEQUENCES FOR THE QUESTION OF LITERACY IN THE BRONZE AGE AEGEAN</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=barbara-montecchi">Barbara Montecchi</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2457" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image nicholas-g-blackwell thomas-g-palaima"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="PYLOS TA 716 AND MYCENAEAN RITUAL PARAPHERNALIA: A RECONSIDERATION" title="PYLOS TA 716 AND MYCENAEAN RITUAL PARAPHERNALIA: A RECONSIDERATION" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/04-Pylos-qrosn80s5kwenobpem5y4s6yiqbky7j0pstk9krny0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2457"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="PYLOS TA 716 AND MYCENAEAN RITUAL PARAPHERNALIA: A RECONSIDERATION" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/04-Pylos.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2457">PYLOS TA 716 AND MYCENAEAN RITUAL PARAPHERNALIA: A RECONSIDERATION</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=nicholas-g-blackwell">Nicholas G. Blackwell</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=thomas-g-palaima">Thomas G. Palaima</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2734" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image ioanna-venieri"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="TABLEWARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" title="TABLEWARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/05-tableware_s-qrosn8ymcexozaac94kkp9yf446y5wmr1xh1quq9rs.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2734"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="TABLEWARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/05-tableware_s.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2734">TABLEWARE FROM THE MIDDLE MINOAN SETTLEMENT AT APODOULOU, CRETE: A TYPOLOGICAL ASSESSMENT</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=ioanna-venieri">Ioanna Venieri</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2574" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image serdar-yalcin"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="ORIENTALIZING ARCHITECTURE: PRINIAS, ‘AIN DĀRĀ AND HITTITE ECHOES IN GREEK ARCHITECTURAL SCULPTURE" title="ORIENTALIZING ARCHITECTURE: PRINIAS, ‘AIN DĀRĀ AND HITTITE ECHOES IN GREEK ARCHITECTURAL SCULPTURE" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/06-orientalizing-qrosn80s5kwenobpem5y4s6yiqbky7j0pstk9krny0.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2574"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="ORIENTALIZING ARCHITECTURE: PRINIAS, ‘AIN DĀRĀ AND HITTITE ECHOES IN GREEK ARCHITECTURAL SCULPTURE" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/09/06-orientalizing.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2574">ORIENTALIZING ARCHITECTURE: PRINIAS, ‘AIN DĀRĀ AND HITTITE ECHOES IN GREEK ARCHITECTURAL SCULPTURE</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=serdar-yalcin">Serdar Yalçin</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

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			<div id="1426266443-2-3c881-7da92579-ad8b" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/D’Agata-et-al_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Significant Objects and the Biographical Approach: An Inscribed Handle from Misis in Cilicia</strong></a><span style="float: right;">7-26</span><br />
Anna Lucia D’Agata, Valentina Cannavò, Massimo Perna, Daniele Putortì</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Marino_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Swastika Motif in the Central Mediterranean during the Early Bronze Age</strong></a><span style="float: right;">27-48</span><br />
Sara Marino</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Montecchi_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Distribution and Functions of Minoan Inscribed Clay Vessels and the Consequences for the Question of Literacy in the Bronze Age Aegean </strong></a><span style="float: right;">49-66</span><br />
Barbara Montecchi</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Palaima-Blackwell_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Pylos Ta 716 and Mycenaean Ritual Paraphernalia: A Reconsideration</strong></a><span style="float: right;">67-96</span><br />
Thomas G. Palaima, Nicholas G. Blackwell</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Venieri_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Tableware from the Middle Minoan Settlement at Apodoulou, Crete: A Typological Assessment</strong></a><span style="float: right;">97-132</span><br />
Ioanna Venieri</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Yalçın_SMEA_06.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Orientalizing Architecture: Prinias, ‘Ain Dār<strong>ā</strong> and Hittite Echoes in Greek Architectural Sculpture</strong></a><span style="float: right;">133-164</span><br />
Serdar Yalçın</p>
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			<wfw:commentRss>https://smea.ispc.cnr.it/?feed=rss2&#038;p=2358</wfw:commentRss>
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		<title>SMEA Nuova Serie 5, 2019</title>
		<link>https://smea.ispc.cnr.it/?p=2130</link>
		<comments>https://smea.ispc.cnr.it/?p=2130#comments</comments>
		<pubDate>Mon, 13 Jan 2020 13:42:14 +0000</pubDate>
		<dc:creator><![CDATA[Salvatore Fiorino]]></dc:creator>
				<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=2130</guid>
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			<div id="mk-tabs-6a0904ef74198" class="mk-shortcode mk-tabs default-style  horizental-style  "><ul class="mk-tabs-tabs"><li class="tab-with-icon"><a href="#1578920776-1-29"><i class="mk-moon-file-9"></i>Articles</a></li><li class="tab-with-icon"><a href="#1578920776-2-92"><i class="mk-moon-stack-3"></i>Table of contents</a></li><div class="clearboth"></div></ul><div class="mk-tabs-panes">
			
			<div id="1578920776-1-29" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1578925236-5e1c7cb4bc8c3" id="mk-portfolio-loop-6a0904ef775d7" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="2136" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image oliver-dickinson"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE USE AND MISUSE OF THE AHHIYAWA TEXTS" title="THE USE AND MISUSE OF THE AHHIYAWA TEXTS" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Map_Brice_th-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2136"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE USE AND MISUSE OF THE AHHIYAWA TEXTS" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Map_Brice_th.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2136">THE USE AND MISUSE OF THE AHHIYAWA TEXTS</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=oliver-dickinson">Oliver Dickinson</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2145" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image gianpaolo-graziadio"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Some Considerations on the Connections between Western  Peloponnese and Cyprus in the Mycenaean Period" title="Some Considerations on the Connections between Western  Peloponnese and Cyprus in the Mycenaean Period" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art02-qrosndntal44lc3iholpjqrq31js8e5eqkqh58jawo.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2145"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Some Considerations on the Connections between Western  Peloponnese and Cyprus in the Mycenaean Period" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art02.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2145">Some Considerations on the Connections between Western  Peloponnese and Cyprus in the Mycenaean Period</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=gianpaolo-graziadio">Giampaolo Graziadio</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2151" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image davide-nadali"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Speaking Pictures, Writing Words: On the Interplay of Communication in Ancient Mesopotamia" title="Speaking Pictures, Writing Words: On the Interplay of Communication in Ancient Mesopotamia" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art03-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2151"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Speaking Pictures, Writing Words: On the Interplay of Communication in Ancient Mesopotamia" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art03.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2151">Speaking Pictures, Writing Words: On the Interplay of Communication in Ancient Mesopotamia</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=davide-nadali">Davide Nadali</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2159" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image laura-puertolas-rubio"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="How to Bewitch Someone: Bewitching Techniques According to Incantations in the Hittite and Luwian Ritual Texts" title="How to Bewitch Someone: Bewitching Techniques According to Incantations in the Hittite and Luwian Ritual Texts" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art04-qrosndntal44lc3iholpjqrq31js8e5eqkqh58jawo.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2159"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="How to Bewitch Someone: Bewitching Techniques According to Incantations in the Hittite and Luwian Ritual Texts" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art04.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2159">How to Bewitch Someone: Bewitching Techniques According to Incantations in the Hittite and Luwian Ritual Texts</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=laura-puertolas-rubio">Laura Puértolas Rubio</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2163" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image ester-salgarella"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Non-Connective Behaviour of the Particle –Qe in the Linear B Documents from Pylos" title="Non-Connective Behaviour of the Particle –Qe in the Linear B Documents from Pylos" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art05-qrosndntal44lc3iholpjqrq31js8e5eqkqh58jawo.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2163"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Non-Connective Behaviour of the Particle –Qe in the Linear B Documents from Pylos" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art05.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2163">Non-Connective Behaviour of the Particle –Qe in the Linear B Documents from Pylos</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=ester-salgarella">Ester Salgarella</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2167" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image anna-lucia-dagata"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Misis (ancient Mopsouestia) and the Plain of Cilicia in the Early First Millennium BC: Material Entanglements, Cultural Boundaries, and Local Identities" title="Misis (ancient Mopsouestia) and the Plain of Cilicia in the Early First Millennium BC: Material Entanglements, Cultural Boundaries, and Local Identities" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art06-qrosncpz3r2u9q4vn672z909hnof0p1oeg2znykp2w.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2167"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Misis (ancient Mopsouestia) and the Plain of Cilicia in the Early First Millennium BC: Material Entanglements, Cultural Boundaries, and Local Identities" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art06.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2167">Misis (ancient Mopsouestia) and the Plain of Cilicia in the Early First Millennium BC: Material Entanglements, Cultural Boundaries, and Local Identities</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anna-lucia-dagata">Anna Lucia D’Agata</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2171" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image hanna-monninghoff sabine-kuleimann"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Hybridity of Style: Iron Age Pottery from Sirkeli Höyük" title="Hybridity of Style: Iron Age Pottery from Sirkeli Höyük" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art07-qrosnbs4wx1jy468snsger8sw9t1szxy2bfi6om394.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2171"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Hybridity of Style: Iron Age Pottery from Sirkeli Höyük" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art07.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2171">Hybridity of Style: Iron Age Pottery from Sirkeli Höyük</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=hanna-monninghoff">Hanna Mönninghoff</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=sabine-kuleimann">Sabine Kuleimann</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2175" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image marina-pucci"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE IRON AGE SEQUENCE IN THE AMUQ" title="THE IRON AGE SEQUENCE IN THE AMUQ" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art08-qrosncpz3r2u9q4vn672z909hnof0p1oeg2znykp2w.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2175"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE IRON AGE SEQUENCE IN THE AMUQ" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art08.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2175">THE IRON AGE SEQUENCE IN THE AMUQ</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=marina-pucci">Marina Pucci</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2178" class="mk-portfolio-item mk-portfolio-classic-item classic-1578925236-5e1c7cb4bc8c3 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image sebastiano-soldi"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="THE IRON AGE POTTERY OF ZINCIRLI HÖYÜK: AN ASSEMBLAGE AMONG NEIGHBOURING TRADITIONS" title="THE IRON AGE POTTERY OF ZINCIRLI HÖYÜK: AN ASSEMBLAGE AMONG NEIGHBOURING TRADITIONS" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/SMEA5-art09-qrosnbs4wx1jy468snsger8sw9t1szxy2bfi6om394.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2178"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="THE IRON AGE POTTERY OF ZINCIRLI HÖYÜK: AN ASSEMBLAGE AMONG NEIGHBOURING TRADITIONS" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2020/01/SMEA5-art09.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2178">THE IRON AGE POTTERY OF ZINCIRLI HÖYÜK: AN ASSEMBLAGE AMONG NEIGHBOURING TRADITIONS</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=sebastiano-soldi">Sebastiano Soldi</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

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			<div id="1578920776-2-92" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Dickinson_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Use and Misuse of the Ahhiyawa Texts</strong></a><span style="float: right;">7-22</span><br />
Oliver Dickinson</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Graziadio_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Some Considerations on the Connections between Western Peloponnese and Cyprus in the Mycenaean Period</strong></a><span style="float: right;">23-46</span><br />
Giampaolo Graziadio</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Nadali_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Speaking Pictures, Writing Words: On the Interplay of Communication in Ancient Mesopotamia</strong></a><span style="float: right;">46-58</span><br />
Davide Nadali</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Puértolas-Rubio_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>How to Bewitch Someone: Bewitching Techniques According to Incantations in the Hittite and Luwian Ritual Texts</strong></a><span style="float: right;">59-70</span><br />
Laura Puértolas Rubio</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Salgarella_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Non-Connective Behaviour of the Particle –<em>que</em> in the Linear B Documents from Pylos</strong></a><span style="float: right;">71-84</span><br />
Ester Salgarella</p>
<p><strong>POLITICAL BOUNDARIES AND CULTURAL CONTACTS DURING THE IRON AGE IN SOUTH-EAST ANATOLIA:<br />
CILICIA, AMUQ AND THE KARA SU VALLEY</strong></p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/D’Agata_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Misis (ancient Mopsouestia) and the Plain of Cilicia in the Early First Millennium BC: Material Entanglements, Cultural Boundaries, and Local Identities</strong></a><span style="float: right;">87-110</span><br />
Anna Lucia D’Agata</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Kulemann-Ossen-Mönninghoff_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Hybridity of Style: Iron Age Pottery from Sirkeli Höyük</strong></a><span style="float: right;">111-146</span><br />
Sabine Kulemann-Ossen, Hanna Mönninghoff</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Pucci_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Iron Age Sequence in the Amuq</strong></a><span style="float: right;">147-164</span><br />
Marina Pucci</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Soldi_SMEA_05.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Iron Age Pottery of Zincirli Höyük: An Assemblage Among Neighbouring Traditions</strong></a><span style="float: right;">165-184</span><br />
Sebastiano Soldi</p>
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		<title>SMEA Nuova Serie 4, 2018</title>
		<link>https://smea.ispc.cnr.it/?p=1926</link>
		<comments>https://smea.ispc.cnr.it/?p=1926#comments</comments>
		<pubDate>Tue, 15 Jan 2019 12:19:37 +0000</pubDate>
		<dc:creator><![CDATA[pankus]]></dc:creator>
				<category><![CDATA[Journal]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=1926</guid>
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			<div id="1426266443-1-32c881-7da9f858-078c" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1425305360-54f46f10c6fe4" id="mk-portfolio-loop-6a0904ef9675a" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="1945" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image ilaria-caloi"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Inaugurating the Court-Centred Building? A MM IIIB Feasting Deposit at Neopalatial Sissi, North-Central Crete" title="Inaugurating the Court-Centred Building? A MM IIIB Feasting Deposit at Neopalatial Sissi, North-Central Crete" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Caloi-thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1945"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Inaugurating the Court-Centred Building? A MM IIIB Feasting Deposit at Neopalatial Sissi, North-Central Crete" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Caloi-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1945">Inaugurating the Court-Centred Building? A MM IIIB Feasting Deposit at Neopalatial Sissi, North-Central Crete</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=ilaria-caloi">Ilaria Caloi</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1978" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image francesco-di-filippo lucia-mori"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="How Difficult? Mountain Roads and Pathways Reaching Ancient Melid (Malatya) in South-Eastern Anatolia: A Reconsideration" title="How Difficult? Mountain Roads and Pathways Reaching Ancient Melid (Malatya) in South-Eastern Anatolia: A Reconsideration" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/DiFilippo-Mori-thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1978"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="How Difficult? Mountain Roads and Pathways Reaching Ancient Melid (Malatya) in South-Eastern Anatolia: A Reconsideration" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/DiFilippo-Mori-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1978">How Difficult? Mountain Roads and Pathways Reaching Ancient Melid (Malatya) in South-Eastern Anatolia: A Reconsideration</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=francesco-di-filippo">Francesco Di Filippo</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=lucia-mori">Lucia Mori</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1987" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image eric-r-force jeremy-b-rutter"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Holocene Fault Scarps at Mycenae (Greece) and Possible Cultural Ties" title="Holocene Fault Scarps at Mycenae (Greece) and Possible Cultural Ties" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Force-thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1987"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Holocene Fault Scarps at Mycenae (Greece) and Possible Cultural Ties" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Force-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1987">Holocene Fault Scarps at Mycenae (Greece) and Possible Cultural Ties</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=eric-r-force">Eric R. Force</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=jeremy-b-rutter">Jeremy B. Rutter</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1973" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image jose-miguel-jimenez-delgado"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Nominative Case and Brachylogic Syntax in Mycenaean Texts" title="Nominative Case and Brachylogic Syntax in Mycenaean Texts" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Delgado-thumb_600-qrosnfjho96p8k0s6peyoqan9tainscveu1g3sgik8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1973"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Nominative Case and Brachylogic Syntax in Mycenaean Texts" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Delgado-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1973">Nominative Case and Brachylogic Syntax in Mycenaean Texts</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=jose-miguel-jimenez-delgado">José Miguel Jiménez Delgado</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1994" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image massimiliano-marazzi"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="The ‘Administered’ System of Trans-Mediterranean Maritime Relations at the End of the 2nd Millennium BC: Apogee and Collapse" title="The ‘Administered’ System of Trans-Mediterranean Maritime Relations at the End of the 2nd Millennium BC: Apogee and Collapse" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Marazzi-thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1994"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="The ‘Administered’ System of Trans-Mediterranean Maritime Relations at the End of the 2nd Millennium BC: Apogee and Collapse" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Marazzi-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1994">The ‘Administered’ System of Trans-Mediterranean Maritime Relations at the End of the 2nd Millennium BC: Apogee and Collapse</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=massimiliano-marazzi">Massimiliano Marazzi</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2005" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image rachele-pierini"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Syllabogram *65 or Logogram *129 (= FAR)?  The Sign AB 65/129 on Thebes Tablets, AB 65 in Linear A, and Some Remarks on the O-Stem Genitive Singular in -Xo" title="Syllabogram *65 or Logogram *129 (= FAR)?  The Sign AB 65/129 on Thebes Tablets, AB 65 in Linear A, and Some Remarks on the O-Stem Genitive Singular in -Xo" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/View_of_Thebes_-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2005"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Syllabogram *65 or Logogram *129 (= FAR)?  The Sign AB 65/129 on Thebes Tablets, AB 65 in Linear A, and Some Remarks on the O-Stem Genitive Singular in -Xo" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/View_of_Thebes_.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2005">Syllabogram *65 or Logogram *129 (= FAR)?  The Sign AB 65/129 on Thebes Tablets, AB 65 in Linear A, and Some Remarks on the O-Stem Genitive Singular in -Xo</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=rachele-pierini">Rachele Pierini</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2010" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image juan-piquero"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="The Dossier sa-ra-pe-da of Pylos Revisited" title="The Dossier sa-ra-pe-da of Pylos Revisited" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Piquero-thumb_600-qrosnfjho96p8k0s6peyoqan9tainscveu1g3sgik8.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2010"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="The Dossier sa-ra-pe-da of Pylos Revisited" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Piquero-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2010">The Dossier sa-ra-pe-da of Pylos Revisited</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=juan-piquero">Juan Piquero</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2013" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image miguel-valerio"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Linguistic Awareness in the Development of the Anatolian Hieroglyphic Sign Values" title="Linguistic Awareness in the Development of the Anatolian Hieroglyphic Sign Values" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Valério-thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2013"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Linguistic Awareness in the Development of the Anatolian Hieroglyphic Sign Values" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Valério-thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2013">Linguistic Awareness in the Development of the Anatolian Hieroglyphic Sign Values</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=miguel-valerio">Miguel Valério</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2018" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image et-al massimo-vidale"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Eating Molluscs at Stromboli (Aeolian Islands, Italy), 1700 BC" title="Eating Molluscs at Stromboli (Aeolian Islands, Italy), 1700 BC" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/thumb_600-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2018"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Eating Molluscs at Stromboli (Aeolian Islands, Italy), 1700 BC" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/thumb_600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2018">Eating Molluscs at Stromboli (Aeolian Islands, Italy), 1700 BC</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=et-al">et al.</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=massimo-vidale">Massimo Vidale</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="2022" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-four-column portfolio-with-sidebar portfolio-image trevor-bryce"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="The Kingdom of Ahhiyawa: A Hittite Perspective" title="The Kingdom of Ahhiyawa: A Hittite Perspective" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/Map_Brice_th-qrosnelnhf5ewy25c70c48j6off5g3952pdymihwqg.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2022"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="The Kingdom of Ahhiyawa: A Hittite Perspective" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2018/10/Map_Brice_th.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=2022">The Kingdom of Ahhiyawa: A Hittite Perspective</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=trevor-bryce">Trevor Bryce</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


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			<div id="1426266443-2-3c881-7da9f858-078c" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Caloi_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Inaugurating the Court-Centred Building? A MM IIIB Feasting Deposit at Neopalatial Sissi, North-Central Crete</strong></a><span style="float: right;">7-40</span><br />
Ilaria Caloi</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Di-Filippo-Mori_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>How Difficult? Mountain Roads and Pathways Reaching Ancient Melid (Malatya) in South-Eastern Anatolia: A Reconsideration</strong></a><span style="float: right;">41-62</span><br />
Francesco Di Filippo, Lucia Mori</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Force-Rutter_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Holocene Fault Scarps at Mycenae (Greece) and Possible Cultural Ties</strong></a><span style="float: right;">63-74</span><br />
Eric R. Force, Jeremy B. Rutter</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Jiménez-Delgado_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Nominative Case and Brachylogic Syntax in Mycenaean Texts</strong></a><span style="float: right;">75-94</span><br />
José Miguel Jiménez Delgado</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Marazzi_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The ‘Administered’ System of Trans-Mediterranean Maritime Relations at the End of the 2nd Millennium BC: Apogee and Collapse</strong></a><span style="float: right;">95-110</span><br />
Massimiliano Marazzi</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Pierini_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Syllabogram <i>*65</i> or Logogram <i>*129</i> (= FAR)? The Sign AB 65/129 on Thebes Tablets, AB 65 in Linear A, and Some Remarks on the <i>O</i>-Stem Genitive Singular in <i>-Xo</i></strong></a><span style="float: right;">111-130</span><br />
Rachele Pierini</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Piquero-Rodríguez_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Dossier <i>sa-ra-pe-da</i> of Pylos Revisited</strong></a><span style="float: right;">131-142</span><br />
Juan Piquero Rodríguez</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Valério_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Linguistic Awareness in the Development of the Anatolian Hieroglyphic Sign Values</strong></a><span style="float: right;">143-160</span><br />
Miguel Valério</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Vidale-et-al_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Eating Molluscs at Stromboli (Aeolian Islands, Italy), 1700 BC</strong></a><span style="float: right;">161-190</span><br />
Massimo Vidale, Sara T. Levi, Marco Bettelli, Andrea Di Renzoni, Matteo Bettuzzi, Valentina Cannavò, Franco Casali, Francesca Ferranti, Leandro Lopes, Maria Pia Morigi, Carmelo Triolo, Mario Triolo</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Bryce_Forum-article_SMEA_04.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>FORUM ARTICLE</strong></a></p>
<p><strong>The Kingdom of Ahhiyawa: A Hittite Perspective</strong><span style="float: right;">191-196</span><br />
Trevor Bryce</p>
<p><strong>Reaction to Bryce Article</strong>, by Eric Cline<span style="float: right;">197-199</span></p>
<p><strong>The Kingdom of Ahhiyawa: Facts, Factoids and Probabilities</strong>, by Jorrit M. Kelder<span style="float: right;">200-207</span></p>
<p><strong>An Aegean Archaeologist’s Response to “The Kingdom Of Ahhiyawa: A Hittite Perspective”</strong>, by Jeremy B. Rutter<span style="float: right;">208-213</span></p>
<p><strong>Response to “The Kingdom of Ahhiyawa: A Hittite Perspective”</strong>, by Robert Schon<span style="float: right;">214-216</span></p>
<p><strong>Hittite-Ahhiyawan Politics as Seen from the Tablets: A Reaction to Trevor Bryce’s Article from a Hittitological Perspective</strong>, by Mark Weeden<span style="float: right;">217-227</span></p>
<p><strong>Postscript</strong>, by Anna Lucia D&#8217;Agata<span style="float: right;">228-230</span></p>
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		<title>SMEA NS Supplemento 1, 2018</title>
		<link>https://smea.ispc.cnr.it/?p=1907</link>
		<comments>https://smea.ispc.cnr.it/?p=1907#comments</comments>
		<pubDate>Sun, 23 Sep 2018 13:48:46 +0000</pubDate>
		<dc:creator><![CDATA[pankus]]></dc:creator>
				<category><![CDATA[Supplement]]></category>

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			<h2 style="font-size: 25px;text-align:left;color: #393836;font-style:inhert;font-weight:inherit;margin-top:0px;margin-bottom:18px; text-transform:none;letter-spacing:0px;" id="fancy-title-6a0904efbc38f" class="mk-shortcode mk-fancy-title fancy-title-align-left simple-style "><span style="">Paths into Script Formation in the Ancient Mediterranean</span></h2><div class="clearboth"></div><h3 style="font-size: 18px;text-align:left;color: #393836;font-style:inhert;font-weight:300;margin-top:0px;margin-bottom:18px; text-transform:none;letter-spacing:0px;" id="fancy-title-6a0904efbc872" class="mk-shortcode mk-fancy-title fancy-title-align-left simple-style "><span style="">edited by <strong>Silvia Ferrara</strong> and <strong>Miguel Valério</strong></span></h3><div class="clearboth"></div><div class="vc_empty_space"  style="height: 14px" ><span class="vc_empty_space_inner"></span></div>

	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><strong>Preface</strong><br />
Anna Lucia D’Agata</p>
<p><strong>Introduction</strong><br />
Silvia Ferrara, Miguel Valério</p>
<p><em>Image-Bound Scripts at the Inception of Writing</em><br />
1. <strong>The Origins of Bronze Age Aegean Writing: Linear A, Cretan Hieroglyphic and a New Proposed Pathway of Script Formation</strong><br />
Roeland P.-J.E. Decorte</p>
<p>2. <strong>Hieroglyphic Writing on Old Hittite Seals and Sealings? Towards a Material Basis for Further Research</strong><br />
Mark Weeden</p>
<p><em>Adaptations: Between Pictorialism and Schematism</em><br />
3. <strong>The Byblos Script</strong><br />
Juan Pablo Vita, José Ángel Zamora</p>
<p>4. <strong>Cypro-Minoan: An Aegean-derived Syllabary on Cyprus (and Elsewhere)</strong><br />
Miguel Valério</p>
<p>5. <strong>The Southwestern Palaeo-Hispanic Script: State of Knowledge, Hypotheses and Controversies</strong><br />
Javier de Hoz</p>
<p>6. <strong>Local Adaptations of the Alphabet among the Non-Greek Peoples of Anatolia</strong><br />
Ignasi-Xavier Adiego</p>
<p>7. <strong>The Meroitic Writing System: Change and Variation</strong><br />
Alex de Voogt</p>
<p><em>Patterns and Diversity: A World of Possibilities</em><br />
8. <strong>Aztec Hieroglyphic Writing: A Comparative Perspective</strong><br />
Gordon Whittaker</p>
<p>9. <strong>The Invention, Transmission and Evolution of Writing: Insights from the New Scripts of West Africa</strong><br />
Piers Kelly</p>
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		<title>SMEA Nuova Serie 3, 2017</title>
		<link>https://smea.ispc.cnr.it/?p=1565</link>
		<comments>https://smea.ispc.cnr.it/?p=1565#comments</comments>
		<pubDate>Fri, 30 Jun 2017 14:40:53 +0000</pubDate>
		<dc:creator><![CDATA[pankus]]></dc:creator>
				<category><![CDATA[Journal]]></category>
		<category><![CDATA[SMEA NS 3]]></category>

		<guid isPermaLink="false">http://smea.isma.cnr.it/?p=1565</guid>
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			<div id="mk-tabs-6a0904efbe983" class="mk-shortcode mk-tabs default-style  horizental-style  "><ul class="mk-tabs-tabs"><li class="tab-with-icon"><a href="#1426266443-1-32c881-7da9d693-6b88"><i class="mk-moon-file-9"></i>Articles</a></li><li class="tab-with-icon"><a href="#1426266443-2-3c881-7da9d693-6b88"><i class="mk-moon-stack-3"></i>Table of contents</a></li><div class="clearboth"></div></ul><div class="mk-tabs-panes">
			
			<div id="1426266443-1-32c881-7da9d693-6b88" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-file-9"></i>Articles</div><div class="portfolio-grid "><div class="loop-main-wrapper"><section data-style="classic" data-uniqid="1425305360-54f46f10c6fe4" id="mk-portfolio-loop-6a0904efc1738" class="mk-portfolio-container mk-theme-loop mk-portfolio-classic page-nav-style " >
<article id="1568" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image stephanie-aulsebrook"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Repair, Recycle or Modify? The Response to Damage and/or Obsolescence in Mycenaean Metal Vessels during the Prepalatial and Palatial periods and its Implications for Understanding Metal Recycling" title="Repair, Recycle or Modify? The Response to Damage and/or Obsolescence in Mycenaean Metal Vessels during the Prepalatial and Palatial periods and its Implications for Understanding Metal Recycling" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-1-600-qrosmjkz7vyy9tb7dblnbycz2po1e2tzyfuxsdrwfs.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1568"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Repair, Recycle or Modify? The Response to Damage and/or Obsolescence in Mycenaean Metal Vessels during the Prepalatial and Palatial periods and its Implications for Understanding Metal Recycling" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/06/17-1-600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1568">Repair, Recycle or Modify? The Response to Damage and/or Obsolescence in Mycenaean Metal Vessels during the Prepalatial and Palatial periods and its Implications for Understanding Metal Recycling</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=stephanie-aulsebrook">Stephanie Aulsebrook</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1591" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image anna-p-judson"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="The Mystery of the Mycenaean ‘Labyrinth’: The value of Linear B Pu₂ and Related Signs" title="The Mystery of the Mycenaean ‘Labyrinth’: The value of Linear B Pu₂ and Related Signs" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-4-600b-qrosmkiteq08lf9u7u09wg4fo3jelrxqakif9nqi9k.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1591"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="The Mystery of the Mycenaean ‘Labyrinth’: The value of Linear B Pu₂ and Related Signs" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/06/17-4-600b.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1591">The Mystery of the Mycenaean ‘Labyrinth’: The value of Linear B Pu₂ and Related Signs</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=anna-p-judson">Anna P. Judson</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1594" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image carl-knappett julien-zurbach maurizio-del-freo"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="A fragmentary libation table with inscription in Linear A from Petsopha, Palaikastro (Pk Za 27)" title="A fragmentary libation table with inscription in Linear A from Petsopha, Palaikastro (Pk Za 27)" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-5-600b-qrosmkiteq08lf9u7u09wg4fo3jelrxqakif9nqi9k.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1594"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="A fragmentary libation table with inscription in Linear A from Petsopha, Palaikastro (Pk Za 27)" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/07/17-5-600b.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1594">A fragmentary libation table with inscription in Linear A from Petsopha, Palaikastro (Pk Za 27)</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=carl-knappett">Carl Knappett</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=julien-zurbach">Julien Zurbach</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=maurizio-del-freo">Maurizio Del Freo</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1581" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image emily-c-egan yannis-galanakis"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="A Lost Mycenaean Fresco Fragment Re-Examined" title="A Lost Mycenaean Fresco Fragment Re-Examined" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-3-600-qrosmjkz7vyy9tb7dblnbycz2po1e2tzyfuxsdrwfs.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1581"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="A Lost Mycenaean Fresco Fragment Re-Examined" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/06/17-3-600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1581">A Lost Mycenaean Fresco Fragment Re-Examined</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=emily-c-egan">Emily C. Egan</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=yannis-galanakis">Yannis Galanakis</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1610" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image filip-frankovic uros-matic"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="Out of Date, Out of Fashion: the Change of Dress of Aegean Figures in the Egyptian 18th Dynasty Theban Tombs in the light of Aegean Bronze Age Costume" title="Out of Date, Out of Fashion: the Change of Dress of Aegean Figures in the Egyptian 18th Dynasty Theban Tombs in the light of Aegean Bronze Age Costume" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-6-600-qrosmjkz7vyy9tb7dblnbycz2po1e2tzyfuxsdrwfs.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1610"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="Out of Date, Out of Fashion: the Change of Dress of Aegean Figures in the Egyptian 18th Dynasty Theban Tombs in the light of Aegean Bronze Age Costume" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/06/17-6-600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1610">Out of Date, Out of Fashion: the Change of Dress of Aegean Figures in the Egyptian 18th Dynasty Theban Tombs in the light of Aegean Bronze Age Costume</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=filip-frankovic">Filip Franković</a>, <a href="https://smea.ispc.cnr.it/?portfolio_category=uros-matic">Uroš Matić</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


<article id="1638" class="mk-portfolio-item mk-portfolio-classic-item classic-1425305360-54f46f10c6fe4 mk-isotop-item portfolio-three-column portfolio-with-sidebar portfolio-image eleni-papadopoulou"><div class="portfolio-classic-holder"><div class="featured-image"><img alt="LM III Mortuary Practices in West Crete: the Cemeteries of Maroulas and Armenoi at Rethymnon" title="LM III Mortuary Practices in West Crete: the Cemeteries of Maroulas and Armenoi at Rethymnon" src="https://smea.ispc.cnr.it/wp-content/uploads/bfi_thumb/17-7-600-qrosmkiteq08lf9u7u09wg4fo3jelrxqakif9nqi9k.jpg"  /><div class="image-hover-overlay"></div><a class="permalink-badge" target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1638"><i class="mk-jupiter-icon-arrow-circle"></i></a><a rel="portfolio-classic" title="LM III Mortuary Practices in West Crete: the Cemeteries of Maroulas and Armenoi at Rethymnon" data-fancybox-group="portfolio-classic-item" class="zoom-badge portfolio-classic-lightbox mk-lightbox" href="https://smea.ispc.cnr.it/wp-content/uploads/2017/06/17-7-600.jpg"><i class="mk-jupiter-icon-plus-circle"></i></a></div><div class="portfolio-meta-wrapper"><h3 class="the-title"><a target="_self" href="https://smea.ispc.cnr.it/?post_type=portfolio&p=1638">LM III Mortuary Practices in West Crete: the Cemeteries of Maroulas and Armenoi at Rethymnon</a></h3><div class="clearboth"></div><div class="portfolio-categories"><a href="https://smea.ispc.cnr.it/?portfolio_category=eleni-papadopoulou">Eleni Papadopoulou</a> </div><p class="the-excerpt"></p></div><div class="clearboth"></div></div></article>


</section><div class="clearboth"></div>

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			<div id="1426266443-2-3c881-7da9d693-6b88" class="mk-tabs-pane"><div class="title-mobile"><i class="mk-moon-stack-3"></i>Table of contents</div>	<div style=" margin-bottom:0px;text-align: left;" class="mk-text-block  "><p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Aulsebrook_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Repair, Recycle or Modify? The Response to Damage and/or Obsolescence in Mycenaean Metal Vessels and Its Implications for Understanding Metal Recycling</strong></a><span style="float: right;">7-26</span><br />
Stephanie Aulsebrook</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/D’Onofrio_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Working Tools, Toilet Implements and Personal Adornments in Weapons Burials at Early Iron Age at Athens and Lefkandi</strong></a><span style="float: right;">27-52</span><br />
Anna Maria D’Onofrio</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Judson_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>The Mystery of the Mycenaean “Labyrinth”: The Value of Linear B <em>pu₂</em> and Related Signs</strong></a><span style="float: right;">53-72</span><br />
Anna P. Judson</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Knappett-Del-Freo-Zurbach_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>A Fragmentary Libation Table with Inscription in Linear A from Petsopha, Palaikastro (Pk Za 27)</strong></a><span style="float: right;">73-82</span><br />
Carl Knappett, Maurizio Del Freo, Julien Zurbach</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Galanakis-Egan_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>A Lost Mycenaean Fresco Fragment Re-Examined</strong></a><span style="float: right;">83-104</span><br />
Yannis Galanakis, Emily Catherine Egan</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Matić-Franković_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>Out of Date, Out of Fashion: The Change of Dress of Aegean Figures in the Egyptian 18th Dynasty Theban Tombs in the light of Aegean Bronze Age Costume</strong></a><span style="float: right;">105-130</span><br />
Uroš Matić, Filip Franković</p>
<p><a href="https://smea.ispc.cnr.it/wp-content/uploads/2025/09/Papadopoulou_SMEA_03.pdf" target="_blank"><i class="mk-moon-file-pdf"></i> | <strong>LM III Mortuary Practices in West Crete: The Cemeteries of Maroulas and Armenoi near Rethymnon</strong></a><span style="float: right;">131-157</span><br />
Eleni Papadopoulou</p>
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